Showing posts with label Southern Reading Challenge. Show all posts
Showing posts with label Southern Reading Challenge. Show all posts

Monday, June 16, 2008

The Sugar Queen by Sarah Addison Allen

Another delight from Allen - absolutely delicious fun with a dash of danger. Josey Cirrini was evidently a very disagreeable child, as her mother frequently reminds her. She, consequently, OWES the imperious Margaret Cirrini big time, as Josey is also frequently reminded, and must cater to the woman's every demand. Her only act of mini-rebellion is to keep a secret cache of comforting junk food stashed in her bedroom closet, while the only love in her life is a secret crush on the mailman. Josey's life is pretty dull and predictable until she discovers Della Lee, the sassy, bleached blond waitress from the Eat and Run, sitting on her closet floor, looking wet and smelling of cigarette smoke and river water. Della Lee makes it clear that she's not leaving and tells Josey that she should wear makeup. With Della Lee residing in the closet, Josey's life begins to change. It's almost as if Della Lee is a fairy godmother of sorts - well, this IS a Sara Addison Allen book.
Della Lee urges Josey to seek out Chloe Finley. Chloe, who possesses a unique relationship with books ( they appear from nowhere on just the topic she needs and follow her until she pays attention to them), has serious relationship problems. Her longtime boyfriend just confessed to a one night stand with a woman whose name he won't reveal. Another dangerous, but extremely attractive, man adds tension to the plot. Josey and Chloe become friends and, with a little supernatural help, Josey finally gets the nerve to wear red. Loved it!

Monday, May 26, 2008

Mudbound by Hillary Jordan

Powerful. Mudbound is a book with staying power, creating images and emotions that resonate long after the last page is read. Laura, a proper city girl, was resigned to spinsterhood until she meets and marries Henry McAllan. Henry had gone to college and was a successful engineer in Memphis, but his real dream was to farm his own land. He buys some property and takes Laura away from Memphis and her family to an isolated Mississippi Delta farmhouse without indoor plumbing, a place Laura names "Mudbound." "When it rained, as it often did, the yard turned into a thick gumbo, with the house floating in it like a soggy cracker." Not only is her life now a never ending cycle of "pumping, churning, scouring,scraping. And cooking," Laura must also share her small farm house with Henry's racist, redneck father. The old man embodies bigotry and ignorance.

World War II has just ended, and two young veterans return to the Delta: Jamie, Henry's charming younger brother, and Ronsel, the son of black tenant farmers. Even though black soldiers had fought in the war, serving with honor, they were isolated in segregated companies and encountered unchanged attitudes of racial prejudice and hatred when they came home. The tensions created by these hatreds curl sharp talons of danger and brutality around life in the small community.
The book begins with the two brothers burying their father's body in the mud. The story unfolds through six different voices, six different viewpoints. Jordan makes each voice distinct and identifiable. She masterfully uses language to define her characters. Mudbound is a story of love, betrayal, and evil. A rarity - a thought-provoking historical page-tuner with three-dimensional, unforgettable characters. One the best - right up there with To Kill a Mockingbird.

Tuesday, May 20, 2008

Girls in Trucks by Katie Crouch

The minute I read the first review, I knew I HAD to get my hands on this book. Reading the dust jacket - "Meet Sarah Walters, a Charleston debutante with questionable manners and an inherited weakness for bad ideas" - I felt a tremendous shock of recognition. Granted I was from Atlanta, but take it from me, this book rings so true I was transported back to another time and place. Charleston society was Atlanta times 3 - or 4. In the South, Charleston is the top of the heap, the grand dame of southern gentility and manners. Southerners care about and know who your great-great-great grandfather was and adhere to a convoluted set of social rules. The society Crouch depicts really existed and still lives. Her setting is drawn with detail that truly conveys the place - not only the town with its hot, sticky summers and old homes, but also the stifling "old family" milieu.
Sarah is a Camellia. She is the daughter of an old family, so she is a Camellia by birth, and as she says, "once a Camellia, always a Camellia," whether you really want it or not. So true, so true. With charm and wit, Crouch unfolds the story of a small group of girls as they grow up, leave, but never entirely get away from their Camellia roots. Crouch gives us romance with a dark edge and endings that, while not necessarily happy, are very satisfying. Sarah and her friends (by birth but not by choice) leave Charleston with relief, liberated, going "North" to college and escaping the strictures of a culture built on rules for proper behavior. (Southerners really do say "yes, ma'am.") They build new lives around the inheritance of their past, like setting furniture around a large elephant in the living room. Most of the book relates what happens to these Charleston flowers after they leave home. The plot is not sugar-coated and what happens to the Camellias easily flows from the background and story structure.
Highly recommended for the Southern Reading Challenge. A great summer book. I could almost taste the sweet tea.
Reviewed by Vidalia - Cotillon member and graduate of the Margaret Bryan school of ballroom dance, where you would have found me (step ball step), maybe, on row four, a little confused about why I was there. (one, two, cha, cha, cha)

Thursday, August 23, 2007

Miss Julia Speaks Her Mind - Ann B. Ross

Absolutely Delightful! A Real Treat!
PLOT "Miss Julia" Springer is surprised when the sudden death of her pillar-of-the-community husband, banker Wesley Lloyd, leaves her a very rich widow. Just when she's considering central air-conditioning for her home (Wesley Lloyd deemed it to be a waste of money), she discovers, right on her own doorstep, something else he's left - Wesley Lloyd Junior - a pale nine-year old. Pretty soon, Pastor Ledbetter, her clergyman, is trying to claim her inheritance for the church; a Bible-thumping televangelist, "Brother Vern," arrives looking for Little Lloyd; the police suspect Miss Julia might be involved foul-play, and she's driving a get-away car.
COMMENT Ross writes with wry humour, delivering a warm and witty (cliche wording, but very true here) portrait of small town life. The images of the formerly prim and proper Miss Julia adopting a new style of merging into traffic (step on the gas and go) or speeding down the highway protected by a phalanx of big rigs were laugh-out-loud material. I chuckled all the way through this book, not only because I could recognize so much that was familiar, but also because reading it is just plain fun. As she gains her own voice, Miss Julia's observations and comments are filled with both wisdom and dry humour. She muses, "Now I understood. Anytime a preacher starts talking about stewardship, he's talking about your money and his plans. Especially his building plans." A big thank you to fellow book blogger Tiny for recommending and lending Miss Julia to me for the Southern Reading Challenge!

Wednesday, August 8, 2007

Our Former Lives in Art - Jennifer S Davis

PLOT LINES Alabama native Jennifer S Davis draws us into the lives and emotional conflicts of her characters. Set in the Deep South, her nine short stories capture with insight, power and compassion, the turmoil and drama of human relationships. In the title story, a father whose lifetime joys are football, hunting and fishing tries to connect with his young son whose first word was "art" and who has created, since the age of two, amazingly realistic, detailed, and gory drawings of Civil War battles. In "Lovely Lily," as part of a program ("Love Knows No Age") to pair the old with the young, the rebellious, troubled title character finds a surprising kinship with a man who is "sucked dry as a husk from emphysema." In "Rapture," Opal knows she shouldn't get in her car and go out with a tornado roaring toward her town. In her head, she hears, with apprehension, the whisper, "Now, the time is now," but she does get in her car and her world is redrawn.
COMMENT Davis follows in the tradition of southern authors like Welty and O'Connor. Her stories are haunting. She writes with a wry, bemused voice and a strong talent for description. Please note: this is NOT "chick lit." Highly recommended.

Saturday, July 28, 2007

The Moviegoer - Walker Percy

Plot Synopsis: Binx Bolling is young, affluent, charming and attractive enough to consistently bed his secretaries. But, beneath his "southern gentleman" facade, Binx floats in a void of despair. He lives in fear of becoming an "Anyone living Anywhere," a ghost, and so he anchors himself in the world though movies. Movie going gives Binx the scripts to function in life. Without really comprehending why, responding only to his ennui and emptiness, Binx is on a "search" for meaning and involves his emotionally unstable cousin Kate(now she could be diagnosed "bipolar" or "clinically depressed")in his journey.
Why I Picked This Book for the Southern Reading Challenge When I read the Moviegoer 40 years ago, it was as if Percy were speaking right to me. At the time, I considered it one of the best novels I had ever encountered. The Moviegoer has been compared to Camus' L'Etranger, and 40 years ago, Camus was one of my favorite authors also. (He's from the SOUTH of France. :-) However, I could remember very little about the plot and wondered if it would have the same impact today.
Comments It did. Today we would call Binx a depressed yuppie and quickly recommend that he be put on antidepressants, but Percy has painted a powerful portrait of a young man caught in the malaise of our age - a deadening of the soul and senses. Binx is cut off from truly experiencing the world around him. He is elated when his car crashes because for a short while he really feels alive. Conversing with others draws this reflection, "For some time now this impression has been growing upon me that everyone is dead." In portraying Binx and his world, Percy strikes the right balance between light and dark, humor and philosophy.
The Moviegoer is not a light read, but for me, it was a delight to reacquaint myself with an old friend. The images of the South and of the relationships between black and white were true images of a time long ago. This book will be on college literature lists for a long time to come.