Watchers (and peripherally The Good Guy)- Dean Koontz

Koontz wrote Watchers in 1987, and it's so similar to The Good Guy (2007) that you really need to read only one of these books. If you're a real "dog person" (like me), go for Watchers. I chose it for the RIP2 challenge and added Good Guy to my TBR just because I like Koontz. I had enjoyed The Taking, relishing the theme of good versus evil and Koontz' metaphysical bent. Watchers qualified for RIP because of its supernatural element, taking "supernatural" in its purest sense - being "above and beyond what is natural." It's this element that distinguishes Watchers from Good Guy. Travis Cornell finds a very special dog and at the same time becomes the prey of a genetically altered, highly intelligent killing machine. He meets and falls in love with a young woman - a loner burdened with a tragic past, and they spend most of the novel attempting to elude not only the beast that psychically pursues them, but also a human psychopath - a contract killer who savours his work and whose latest job is to find them and the dog.

Summing up plot similarities between the two books:

1. Both male protagonists are former military with superior combat skills.
2. Both men have avoided close relationships.
3. Both female protagonists have also experienced trauma and have avoided society.
4. They fall in love and are relentlessly pursued by a sadistic hit man.
5. The hit men both think they are somehow superhuman. Invincible.
6. Both books deal with the battle between good and evil.
7. The fleeing pair is also pursued by law enforcement/government agency.

Now, about the dog. All of Koontz' dogs (that I've encountered) are wonderful. You'll find some in The Taking. They are the embodiment of good, loyal and often brighter than the humans. With Watchers, Koontz has created the most lovable and intelligent of puppies. Everyone should have an Einstein, the result of genetic experiments (I'm not giving anything away - you'll figure this out from the jacket cover). I must admit I kept reading mid-book (which dragged a bit), simply because of the dog. I did become frustrated with Travis and Nora who appeared really slow to realize the full extent of Einstein's brilliance. Their experiments became tedious and I found myself shouting, "For Pete's sake, he's trying to tell you he can spell!!!" - or some such.

The beast is truly terrifying - not just in its bloody focus and canny intelligence, but also because you know a similar being could possible be created in some secret lab. He's a monster that really could exist. And, in the end, you wonder who the real monsters are - the beast or his creators.

Good book - thought-provoking, slows down in middle, but has enough bangs to keep you going

Recommended - 3.5 stars

Dead as a Doornail by Charlaine Harris

PLOT After reading two books set in possessed places and experiencing both the gravity of Ghostwalk (a bit of a pun here) and the suffocating terror of Lost Boy Lost Girl, I was ready for some humor with my horror. Hooray for Charlaine Harris who makes scary delightfully fun! Dead as a Doornail is the fifth book in Harris' Sookie Stackhouse series. Sookie, a waitress in Bon Temps, Louisiana, is pretty, self-reliant, telepathic, and lusted after by a pack, ummmmm, pride, or is is colony, of supernatural, handsome male beings. There's Bill, her vampire ex-boyfriend; Eric, the blond Viking vampire; Alcide Herveaux, the sleek werewolf; Sam, who can shift from friendly dog to stalking panther, and a zoo of other suitors. Danger and mystery enter the scene when a sniper begins shooting shapeshifters, seriously wounding Sookie's boss Sam. When her own brother, Jason, a newly made shapeshifter, falls under suspicion, Sookie knows she must find the real culprit. Enter Charles, the new vampire bartender with a murky past, and abusive, violent Mickey, vampire boyfriend of Sookie's childhood friend, Tara. Now, throw in a real fairy godmother and a struggle for werewolf leadership, and you have fun and chills right until the last page.
COMMENT I had read Grave Surprise from Harris' Harper Connelly series and thoroughly enjoyed it. Harper can find where people are buried; she can tell who is interred and how they died, leading her into the age-old mystery of "who done it." Harris is a master of snappy dialogue and her plots never bog down. With Sookie and Harper both, each book is a great ride until the end. Recommended for those of us who like a little levity peppered with jolts of supernatural (and human) danger.

Lost Boy Lost Girl by Peter Straub

WINNER Bram Stoker Award
PLOT Late one night Mark Underhill discovers his mother sitting on the edge of the bathtub, staring forward with empty eyes, "an expression of dazed incomprehension" on her face. A week later she commits suicide. The week after that Mark disappears - just like three other boys from Millhaven.
Mark had never noticed the empty house across the alley, never really looked at it, but once he does, his obsession steadily grows as his mother becomes increasingly exhausted and distracted. It's Mark who discovers her body and becomes convinced that the house had something to do with her death. The house is one the book's main characters as it entangles Mark in its dark history. Writer Tim Underhill, the boy's uncle, returns to Millhaven to help in the search for his nephew. Uncovering a serial killer in the present, he also finds a bloody past and the story of a girl who drew Mark into her world.
COMMENT Lost Boy Lost Girl shifts between past and present and among points of view. Although initially confusing, this constant shifting blended horrors present and past while blurring the fine line between reality and apparition. I had a difficult time getting into the book, but eventually settled into its hypnotic cadence. I must say this is like no other book I've ever read, and by the end - the hopeful, surreal end - the house had grabbed me too.

The God of Animals - Aryn Kyle

Alice Winston is twelve. She has a reclusive mother who rarely emerges from her bedroom, a beautiful, high-spirited sister, Nona, who ran away with a rodeo rider, and a father overwhelmed by money problems and preoccupied with his horses. Absorbed by their own dreams and disappointments, they don't really see Alice standing on the periphery in isolation. Alice has no friends. When her shop partner, Polly Cain, drowns, Alice posthumously invents a friendship with the dead girl and forms an unsettling relationship with her English teacher.
To save their ranch, Joe Winston, begins to board horses and sells Nona's prize winning Cap to a girl he hopes can be taught to win. As the summer heat seres Desert Valley, the family's lives become enmeshed with the wealthy women who come to groom their animals and drink cocktails from their thermoses. Alice begins to understand and resent the security that money can provide. It's a summer of lies and promises, cruelty and generosity.
COMMENT: Aryn Kyle adeptly captures the voice of a twelve-year old girl. Sometimes Alice speaks with a wry humour ("I was the only person present who couldn't sue my father if the mare crushed me into pieces") and sometimes with heartbreaking sadness ( "I kept my eyes closed, letting myself pretend that she was someone, anyone, who loved me.") The plot development is strong and through Alice's eyes, the characters are well drawn.
Recommended

Ghostwalk by Rebecca Stott

PLOT Cameron Brown, prominent neuroscientist, finds his historian-mother, Elizabeth Vogelsang, dead in the river, a prism clutched in her fist. He asks Lydia Brooke, his former lover who was also Elizabeth's friend, to return to Cambridge and complete the missing last chapter of the book his mother was writing about Sir Isaac Newton, Trinity College and alchemy. Lydia moves into Vogelsang's studio and of course, in addition to rekindling her affair with Cameron, strange things begin to happen. Papers disappear or blow away when there is no breeze. And then there are the odd lights and shadows, the strange man in red, murders and mysteries, both past and present, a violent animal rights group, and a blurring of the 17th century with the 21st. Lydia, pursuing the truth behind the 17th century deaths, soon finds herself haunted and pursued herself.
COMMENT Ghostwalk could be called creepingly eerie, or eerily creeping (toward its end). It's full of historical detail about 17th century Cambridge, alchemists and Isaac Newton. Stott's style borders on essay-writing in some chapters dealing with Vogelsang's research while she's almost poetic in others. Written from the first person (Lydia) to a second person (Cameron), Ghostwalk's use of "you" was disconcerting and a bit confusing at first. Imagery, delivered in snapshot sentences, is definitely effective in creating the ominous mood.
I sensed a supernatural threat from the beginning and was surprised by the plot addition of the real-time threat posed by NABED, the animal rights group. But this really is a ghost story with one century bleeding into the other.
Sometimes Stott's erudition might be a barrier to digesting Ghostwalk . If you aren't familiar with Mondrian, her reference to the painter will not create the image she intended. To explain the entanglement of past and present, she delves into quantum mechanics - which is fascinating, but not light reading.
Overall, I enjoyed Ghostwalk, but I am really looking forward to my next book by Dean Koontz.

The Memory Keeper's Daughter - Kim Edwards

I should have known - on the cover is glowing praise from Sue Monk Kidd, author of Mermaid Chair. I didn't like Mermaid Chair (But enjoyed Secret Life of Bees) I am beginning to think that there is something seriously wrong with my literary tastes. Memory Keeper's Daughter is the flavor of the season - a bookclub darling. There are still 32 requests for it at my library - in other words, 32 people are in line, breathlessly waiting to read it. (The library has 14 copies plus a bookclub kit and CD.) It was published in 2005, so it's not just a flash in the pan! Now for the truth - I found the book slow, annoying and well, numbing.
David Henry, orthopedist, on a snowy day in 1964 delivers his own twins. Without telling his wife, Norah, he "hands over his daughter," who has Down Syndrome, to his nurse, Caroline Gill, telling her to take the baby, Phoebe, to an institution. Caroline just can't do it and decides to keep Phoebe, raising her as her daughter. What ensues is 25 years of interminable introspection, alienation, and regret. Oh goodie.
There is a lot of repetition of imagery and thought in this book. For instance, Caroline, when pondering whether to leave Phoebe at the institution, keeps returning and returning to the image of the dark haired young woman in a slip being shorn of her hair in the institutional cold. David Henry refers again and again to the day he "handed over" (using that phrase) his daughter to Caroline Gill. I get it, I get it!!
The Memory Keeper's Daughter functions on the premise that the family is torn apart by David Henry's secret, but I think Norah is a basically weak character, and she would never have been able to cope with Phoebe. She's too concerned with moving in the proper social circles as shown by her reaction to Kay Marshall. She would have been a promiscuous lush anyway. I just couldn't cope with this book's bleak view of relationships (maybe that's my problem - but I loved the Moviegoer. Go figure.) Paul, the son, rails constantly about his father's lack of love for him in spite of the fact that David tries to connect. But, alas, somewhere along the line, David has expressed his reservations about Paul's being a musician and well, that's it! David can never convince the kid of his pride and love. It's really quite a sad story of a basically good man, who makes a bad decision. David Henry is burdened by secrets and surrounded by very needy people.
On a more positive note - I rejoiced in Phoebe's life and Caroline's love for her daughter.
To sum up: I found the constant, interior ruminations tedious - like listening to the slow ticking of a clock, and I could not muster much sympathy for Norah. Without that sympathy, the book for me was an exercise in endurance. And maybe I do need some sort of biblio-therapeutic intervention.

A Thousand Splendid Suns - Khaled Hosseini

PLOT Hosseini portrays the tumult of Afghanistan's last thirty years as reflected in the lives of two woman married to the same man. Miriam was a harami, a bastard,loved by her father,Jalil, but not quite enough. She's quickly married off to the brutal Rasheed to safely rid Jalil's legitimate family of her embarrassing existence. Laila is young, beautiful and well-educated by her doting father, but as the violence of Afghanistan's repeated upheavals decimates her family, she, too, marries Raheed to survive. In the midst of killing and oppression, bombs and hardship, beatings and tears, the two form a bond that enables them to continue living.
Why I Pulled This Book from My TBR Shelf I had read and loved the Kite Runner, one the the most powerful and beautiful books I've ever experienced.
Comment A Thousand Splendid Suns presents much more history than does The Kite Runner. In Suns, Hosseini intertwines periodic history lessons with the story (and it's obvious these lessons are a digression), even giving all the names of the warlords, where they were from, and their political goals. While in Runner, the history is there, it functions as a backdrop against which the plot unfolds. Suns, occasionally bordering on didactic, and perhaps incorporating too much information for some readers, did give me a much better sense of why Afghanistan is so torn and what the Afghan people have endured. The character development is excellent - I understood and identified with these two women even though my world is so different. Hosseini's writing "engages" the reader with both the characters and the setting. He has the ability to draw you into his world - I felt as if I experienced both books with all my senses. Highly Recommended.